Malcolm Roberts (Queensland, Pauline Hanson's One Nation Party) Share this | Hansard source

As a servant to the many amazing people who make up our great Queensland community—our one great Queensland community—I rise to speak on the Creative Australia Bill 2023. It is legislation that is so out of touch that it's my duty—indeed my pleasure—to make remarks on this legislation, which implements a previous bill to modernise the Australia Council. 'Modernisation' is a word few Australians wish to hear when it comes to the arts. Modern art, with its ugly exterior and substandard political shouting, is the reason so many Australians turn their back on the local arts community, sadly, choosing instead to seek their cultural fix overseas, amongst the historical buildings and ruins and the splendour of Western civilisation. A single marble pillar from the Roman age holds more fascination to the typical Australian than the entire offering of last year's Australia Council. Despite the terrifying amount of money spent on the arts, it's not the beating heart of Australian culture. It's a desert of talent, accentuated with outcrops of brutalism, obscurity, absurdity—installations made from literal trash, the obscene, the lazy and the inconsequential masquerading as talent.

Creative Australia celebrates the primacy of left-wing controlled politics over entertainment, humour, culture and class. Minister Burke has taken up his position on the throne presiding over this self-indulgent mess—this slop. To stop the overpaid leaders of the art world snapping at his ankles, he's decided to throw even more taxpayer money at them. It's a terrible shame, because the real artists and writers of Australia are forced to leave our country and seek a career overseas, where the merit of their work is valued above the artist's identity.

Creative Australia and Minister Burke are failing the real arts community and, with that, failing everyday Australians, failing our country. Remember, this is the era when local councils erect bits of junk in the town square while tearing down bronze and stone statues—works of real, actual art, erected to honour the real builders of Australia. Our so-called arts community is busy deconstructing its historical betters while replacing them with nothing of lasting merit. It's no wonder the Australia Council had to spend money on surveys, trying to work out why their performances are empty and, as a result, changing their name, not their product. That's what seems to be the outcome.

Modernisation, the key part of this proposal, can be best illustrated by using a scene outside the Melbourne art gallery. By the way, yes, this really happened. Imagine this: customers were queueing to gain access to a collection of Renaissance masters while a modern piece of installation art outside involved adults dressed as sheep, pretending to eat the grass and baa baaing at the customers. Can you believe this!